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The work of Portishead co-founder Geoff Barrow, this sharp-edged if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Vibe

There is only one key story turn, but it leads to a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

Game is in UK and Irish cinemas from November 17.